Ensemble Nu:n

  Falk Zenker (Weimar) – Gitarren, Live-Elektronik, Konzept
  Gert Anklam (Berlin) – Saxophone
  Rebecca Bain (Montreal) – Gesang    
  Cora Schmeiser (Rotterdam/ D) oder Tobie Miller (Basel/ Can) – Gesang





"Music from the Road to Santiago" Medieval Music in the Here and Now

Since its founding in 2003, ensemble nu:n's mission has been to blend the timeless beauty and spiritual power of Gregorian chant and Romanesque & Gothic polyphony with modern improvisation and experimental sound, thereby building a bridge from the very roots of Western music to the here and now.

The road to Santiago de Compostela in north-western Spain was one of the three great pilgrimages of the Middle Ages. In recent years, it has seen a renewed popularity. Falk Zenker, ensemble nu:n founder and guitarist, is himself a Santiago pilgrim. He and his three fellow musicians present a program of musical treasures from medieval monasteries on the various routes throughout Europe to Compostela, as well as from Santiago's own 12th century manuscript, the Codex Calixtinus.

While their interpretations are respectful of historical detail and context, the songs are presented from the ensemble's unique musical perspective, with all the curiosity and spirit of the discoverer - modern pilgrims, whose personal sense of spirituality has lead them on a medieval journey.

The ensemble consists of Canadian singers Rebecca Bain (Montreal) and Katherine Hill (Toronto), leading experts in historical music, whose masterly voices fuse unequivocally with the powerful virtuoso saxophone-playing of Gert Anklam (Berlin) and guitarist Falk Zenker's (Weimar) impressive atmospheric sound. "Nu:n" proposes music from a forgotten time, rendered authentic and yet fresh and surprisingly new. A play on time, stretching the boundaries of the performance space, and of the audience's listening expectations.

Download Fotos

 

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Press

„A fabulous medieval creature from sandstone comes to life, snarls, and whips its tail dangerously. The creature softens as sweet singing is heard. Rather than a fabulous creature, the saxophonist Gert Anklam appears on stage. The musical presentation is supported by guitarist Falk Zenker, who moments later enters into dialogue with the sax and singers Rebecca Bain and Katherine Hill. Musical worlds, separated by centuries, come together.“
Helga Heilig, Naumburger Tagblatt, 07.11.03

„`Nun´ (the now) is timeless; in other words, time becomes transcendental, at once beyond time and time abundant… (ensemble nu;n’s) music actually `grasps´ this `now´. In connecting the `old´ with the `new´, it explores the boundaries of time and brings them closer together.“ Sister Hannah, St. Erentraud/ Berg

„It was deeply moving music, filled with longing, intelligent but light-hearted, sprinkled with humour, and the audience enjoyed it thoroughly. Transfixed and transported to another world, at times it felt as though one was floating...“ G. Meyer, OTZ, 10.11.03

„The concert was delightfully made up of continuous live experiments, bringing together ancient ritual music and modern performance practice.“ Thüringer Allgemeine, 02.08.05

„Sound coming from all corners, it almost seems as if the old walls are vibrating…past and present unite in the moment… The applause is never ending. “Wonderful” is whispered through the audience. The musicians must bow repeatedly: another moment in the here and now…“ Freies Wort, 01.08.05

„This is an interesting recording... the taste shown in its realisation.“
J. C. Asensio, Goldbergmagazin 1/07, 4 from 5 stars for CD „Salutare“/ Raumklang

 



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CD
"Salutare", erschienen 2006 bei Raumklang
Sie können die CD bestellen über www.falk-zenker.de


CD Salutare


Hörbeispiele:

O plangens vox Oh plangens vox
Hildegard von Bingen (1098-1179) - 4:47
Viderunt omnes Viderunt omnes
Perotin (um 1200) - 10:46
Alleluia. Dies sanctificatus Alleluia. Dies sanctificatus
Gregorianischer Choral - 04:00
Mater Dei / Mater virgo pia / EIUS Mater Dei / Mater virgo pia / EIUS
Frankreich, 13. Jh. - 04:22
Vox clara ecce intonat Vox clara ecce intonat
Gregorianischer Choral - 03:08


Video

Berlin 2010, Heilig-Kreuz-Kirche:
   

Kyrie: Rex immense
Kyrie: Rex immense

Codex Calixtinus, ca. 1170


Procurans odium
Procurans odium

Conductus, Notre Dame, 13. Jh.


Conditor alme siderum
Conditor alme siderum

Hymnus, ca 7. Jh.

Unicornis captivatur
Unicornis captivatur

Kloster Engelberg, um 1300


Vox clara ecce intonat
Vox clara ecce intonat

Gregorianischer Choral


Ques dabit
Quis dabit

Klagelied, Las Huelgas, 13. Jh.
 

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tour 2011

17.06. Bad Doberan
19:30, Münster, www.muenster-doberan.de
(mit Tobie Miller)
03.08. Løgumkloster/ Dänemark
rom. Klosterkirche (mit Cora Schmeiser)
18.06. Ingelfingen
18:00, Ingelfingen, Nikolauskirche,
www.hohenloher-kultursommer.de (mit Tobie Miller)
05.08. Großenhain
19:30, Kirche, www.mdr.de/musiksommer, "Gedankenreisen auf dem Jakobsweg"
(mit Cora Schmeiser) feat. Nora Thiele/ Perc.
19.06. Kleincomburg
17:00, Kirche, www.hohenloher-kultursommer.de
(mit Tobie Miller)
06.08. Kloster Drübeck
19:30, Romantische Nacht, Basilika (mit Cora Schmeiser)
24.06. Hochneukirchen / Österreich
19:30, Kirche, www.hochneukirchen-gschaidt.at (mit Cora Schmeiser)
 
26.06. Hamm
17:00 Kirche St. Agnes, Festival "Zeit"
(mit Cora Schmeiser)
 






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  Rebecca Bain
· born in Montréal, Canada
· played trumpet and violin and sang in various ensembles for folk, jazz and early music in Canada, 1980-1988
· studied at the renowned Schola Cantorum Basiliensis in Basel, Switzerland from 1992 to 1996, receiving a diploma in medieval music performance in voice and medieval fiddle
· has worked since 1991 with several ensembles for early music, touring throughout North America, Europe and Australia, and singing on many cd recordings; these groups include the renowed Ensemble Sequentia (Germany), the vocal ensemble Mora Vocis (France), and Sarband (Germany)
· co-founded the vocal trio Zorgina (USA, Austria) in 1993, and Ensemble Belladonna (Germany) in 1997; toured extensively with these groups and recorded several CDs (including "Triplicité", Zorgina, 2000 Raumklang; "Shout Sister, Shout!", Zorgina, 2002 twinberg records; Melodious Melancholie", Ensemble Belladonna, 2004 Raumklang)
· given numerous workshops on medieval music for students of all levels in France, Germany and North America

  Gert Anklam
· born in 1969 in Berlin, and has worked there as a freelance saxophist and composer since 1988
· from 1989 played with various ensembles including the "Manfred Schulze Wind Quintet"
· received much acclaim for his solo concerts on the baritone saxophone
· has worked closely with the artist Beate Gatscha since 1997 on multi-media projects, combining such things as dance, slide projections and water instruments
· has toured and studied in India, Africa and the USA
· has worked often in the theater and with radio and recorded and produced 2 cd recordings (solo CD "konzert für b", 1997; "Musik aus Luft und Wasser" 2003)

  Falk Zenker
· born in 1967 in Mittweida, (Germany) and lives presently in Thüringen
· studied classical guitar at the conservatory in Weimar from 1987 to 1992 and has worked as a freelance musician ever since
· performed for many years on international stages with the Spanish flamenco group "Trio Romero" and with the prominent Chilean singer Oscar Andrade
· apart from his various solo projects, has realised many experimental and multi-media projects with artists of all kinds (theater, dance, slide projections, readings, sonic installations, tv...)
· 2 CDs to his name ("Landschaften"‚ 2000, and "Cinema"‚ 2002) under the
label Acoustic Music/Zomba



[ info ] [ audio/video ] [ tour ] [ biographies ] [ contact ] [ deutsch ] [ francais ]







Falk Zenker
Am Bäckerberg 6, D 99510 Kapellendorf, Tel.: +49 36425/ 509 82, +49 171/ 75 62 460, music[at]falk-zenker.de



Gert Anklam
Raabestr. 11, D 10405 Berlin, Tel.: +49 30 44/ 16 292, +49 163/ 53 21 553, saxesful[at]yahoo.de
Rebecca Bain
Montreal, Canada, becca_bain[at]hotmail.com
 

Links


http://www.falk-zenker.de
http://www.gert-anklam.de
http://www.raumklang.de
 






Foundation 2003




Inspired by the timeless beauty and spiritual power of Gregorian chant and Romanesque and Gothic polyphony, these four musicians founded their ensemble with the purpose of combining early vocal music with modern improvisation and experimental sound.
The surviving written music of Western Europe goes back to the 8th century and is to a large extent made up of liturgical music. Ensemble nun. researches this medieval repertoire (up to the 14th century), and using it as their starting point, performs in the here and now, in the singular moment of improvisation.
The two Canadian singers Rebecca Bain and Katherine Hill, internationally renowned interpreters of early music, bring early liturgical song to life according to its original sources. The Berlin saxophonist Gert Anklam and the Weimar guitarist Falk Zenker pick up from there; using their modern instruments but with careful consideration of medieval melody, harmony and composition principles, they improvise on the historical material, relying on their long experience with jazz, experimental and world music. The synthesis of voices, saxophones, e-guitar, and live electronics with its resulting blend of archaic and modern sounds, along with the back and forth between old and new melodies, the uniting of medieval and contemporary improvisation techniques, and the play between the natural acoustics of the hall and electronic duplication via live sampling, all make for a particularly exciting performance.
One of the special qualities of ensemble nun is its use of a concert venue’sentire space, bringing to life its full acoustic range. The singers and saxophonist move at times around and amongst the audience, while the guitar sends its sound around the entire room via loud-speakers, in a fusing of sound as “transient space” and architecture as “frozen sound”. This can be equally compelling in a Romanesque or Gothic church, the contemporary architecture of a modern church, a former industrial hall or factory, or any other appropriate concert venue, as long as it has a church-like acoustic.
As with much early art, liturgical music of the Middle Ages was composed with spiritual motivation. Today, art has become more often a method of personal self-expression. Ensemble nun inhabits a special place somewhere between the medieval roots of their culture, and the very different modern attitude towards spirituality and the individual.
Their chosen mentor for this project is the medieval mystic Meister Eckhart (1260-1328, active and renowned in Erfurt, Cologne, Strasbourg and Paris), whose visionary world view and picturesque language haven’t lost any of their power and fascination to this day. Eckhart’s use of the term “nun” (pronounced like the english word noon, and meaning now) speaks to the musicians of this ensemble; nun is the state in which past and present, individual being and the cosmos, merge together, the state which they strive to achieve in the moment of making music together.

Falk Zenker (ensemble director)
tour 2010
   
16.04. Berlin, Heilig-Kreuz-Kirche
17.04. Bautzen, Sorbisches Museum
18.04. Müncheberg, Stadtpfarrkirche
21.04. Nürnberg, Kartäuserkirche
23.04. Wemding, Kunstmuseum
24.04. Frankfurt a. M., Romanfabrik
07.08. Jerichow, Kloster
08.08. Seelze, Dreifaltigkeitskirche
13.08. Hude, Klosterruine
14.08. Halle, Pauluskirche
tour 2009
   
29.03. Plock (Polen), Dombasilika
25.10. Montreal (Kanada), St. Matthias Church
29.10. Québec (Kanada), Eglise St. Roch
   
   

 
tour 2008
   
02.07. Magdeburg
Kathol. Universitätskirche St. Petri
03.07. Hildesheim, Michaeliskloster
05.07. Oldenburg-Eversten, Ansgari-Kirche
08.07. Dresden, Palais im Großen Garten
09.07. Weimar, Katholische Kirche
tour 2007
   
15.06. Schwei (b. Bremen), Kirche
26.07. Bremen, Dom
27.07. Schwäbisch Gmünd, Johanniskirche, Festival Europäische Kirchenmusik (SWR-Rundfunkmitschnitt)
28.09. Mühlhausen, Bibliothek St. Jakobi
29.09. Kloster Dalheim, (b. Lichtenau/ Paderborn)



tour 2006
   
29.04. Frankfurt a. Main, Karmeliterkloster, Museumsnacht
17.08. Ratzeburg, Dom, mit Liquid Soul (Wasserstichorgel)
19.08. Landsberg, Doppelkapelle
25.08. Bad Doberan, Münster
26.08. Berlin, Museum im Wasserwerk Friedrichshagen, Müggelseedamm 307, Lange Nacht der Museen, mit Liquid Soul (Wasserstichorgel)
27.08. Meiningen, Stadtkirche
16.09. Berlin, Heilig-Kreuz-Kirche, Kreuzberg, NachtKlänge V
17.09. Radebeul, Lutherkirche
tour 2005
   
08.05. Aachen, Jesuitenkirche St. Alfons -
„Aktionsraum für Kunst & Religion“
03.06. Bitterfeld, Wasserspeicher

04.06.

Bautzen, Sorbisches Museum
05.06. Nordhausen, Altendorfer Kirche
11.06. Naumburg, Dom
29.07. Böhlen, Sommerakademie
30.07. Quedlinburg, Stiftskirche
04.09. Mittweida, Stadtkirche
05.09. Bitterfeld, Wasserspeicher
25.09. Bechtheim bei Worms, Basilika
„Vokalmusik entlang der romanischen Straße“ zum Kultursommer Rheinland-Pfalz

tour 2004
   
16.09. Volkenroda, Christuspavillon
17.09. Jena, Imaginata
18.09. Berlin - Schöneberg Katholische Kirche am Winterfeldplatz
19.09. Fürstenwalde, Dom
30.09. Bad Schandau, Eröffnung der Toscana-Therme
tour 2003
   
05.11. Schulpforte (b. Naumburg), Kirche (Voraufführung)
06.11. Erfurt, Predigerkirche/ Thüringer Jazzmeile (Premiere)
07.11. Saalfeld Franziskanerkloster/ Thüringer Jazzmeile
08.11. Suhl, Kirche